G&E partner Glenn Schloss reviews and demos big beats from BFD and Geist. Pretty sweet demonstration Glenn! Check out the entire article here: http://goo.gl/u88ip
The Columbia University Film Festival is the annual premiere of thesis short films, feature screenplays and teleplays created by graduate MFA students from Columbia University School of the Arts Film Program. The festival runs May 4-10 in NYC this year. Flavorlab’s head engineer Brian Quill did the mix and sound design for the festival trailer. Check… Read more »
Back from NAB with his photo in a Pro Sound Network article, head engineer and Flavorlab partner Brian Quill had this to say about his trip: “I’m just back from the NAB show, and wow what craziness. Highlights definitely included speaking on the Pro Audio Panel with Sean Richardson from Starz and Vince Caputo from… Read more »
OK Go made the Weekly Flavor this week for their amazing music video “Needing/Getting”. Props to them for having the creativity (and apparently sizable budget!) to make rich textures and sounds using various objects. Give the video a peak below! You can check out the video here: https://www.youtube.com/watch?v=MejbOFk7H6c
Master chef, JDP recently visited Flavorlab to give a tasting of our new Spring menu. All of these dishes were created by Jeff and we are excited to start cooking ’em up this Spring!
Brian Quill mixes Black Eyed Peas spot for Fuse Television. http://ping.fm/TwA6A
Brian Quill Mixes Lexus Spot for Team One http://ping.fm/wkgZw
The Nine Lives of Marion Barry is available on Amazon. Score by Flavorlab Score, Erik Blicker and Glenn Schloss. Sound by Brian Quill.
Flavorlab and Grey advertising audio engineers Ryan Hobler and Dante Desole wrap up 6 month project. Spots created include Etrade, Dominos, NFL and Downy
“Brian has perfect pitch for sound levels between dialogue and music, remarkable creativity with sound design, an unusual respect for the power of silence, a fierce intellect that allows him to ‘get’ the content of the film and exceptional mastery of all the technical skills required to execute his vision of what each scene requires,” says Whitney. “Sitting with him during a session, watching him ‘ride’ the controls at breathtaking speed and efficiency was pure pleasure.” -Helen Whitney