Producer’s Toolbox got placements in Vice + Chipotle’s Farm To Foil campaign, Dieste’s AT&T campaign, and a blanket deal with History Channel’s new show, The Butcher.
Flavorlab mixed Visit The USA’s #HearTheMusic campaign, showcasing the music & culture of America’s cities.
Flavorlab Sound had the opportunity to provide sound design & mix on crime thriller, Crypto, out in theaters & on-demand, April 12th. We discusses the film’s sound design & mix with audio engineer Brian
A year ago, the ACLU & Brooklyn Defender Services released “We Have Rights”. We sit down with the cinematic storytellers at Media Tank a year later.
Ricky Holman, Director of Licensing, attends the 9th Music Supervision Awards. The Guild aims to recognize music supervisors for the craft of curation.
It’s been a big year here at Flavorlab. We’ve hired some new faces. We’ve worked on more projects. After receiving a standard earnings report, we compiled all our placement information and figured, “why stop there?” From fashion ads to corporate conference videos and everything in between, here’s a year at Flavorlab.
Flavorlab Producer’s Toolbox crossed 250 composers in 2018. Here’s some of our kick ass family of artists that make it all possible.
Happy New Year 2019!
Flavorlab pulled out the nutcracker and demolished a few wreaths to turn into Santa’s audio workshop this fall. Let’s recap creating some Christmas cheer!
Jeff Schwartz of Primalux approached Flavorlab to provide score and mix for Humanim’s Baltimore Deconstruction Project, an initiative to bolster economy, community, and job creation in the city of Baltimore, winner of the 2018 Mutual of America Community Partnership Award.